Updates is for you to share news of events in your area with us and to help you to create an international network of events that will link How2 participants together. Please send us your details of reading series, calls for submission to journals and conferences, plus details of launches of new websites, archives etc. that you feel might be of interest to How2 readers and we will post it up.

Tuesday 15 January 2008

Poets Out Loud: Claudia Rankine and Stephanie Strickland

Poets Out Loud presents an evening of visual and digital poetry with Claudia Rankine and Stephanie Strickland.

Thursday, February 14th, 2008. 7:00 PM. The reading will take place at McNally Amphitheater, Fordham Law School. 140 West 62nd Street, New York, NY 10023. The A, B, C, D, 1, and 9 subway trains all stop at 59th Street/Columbus Circle. The campus is located one block west. This event is free and open to the public. For more information, please call (212) 636-6792 or visit www.fordham.edu/pol.

Poets Out Loud at Lincoln Center
113 West 60th St., Ste. 924-I
New York, NY 10023
(212) 636-6792

Sunday 13 January 2008

Call for Papers: Long Poems ::: Major Forms

The University of Sussex’s School of Humanities, in conjunction with the Centre for Modernist Studies, invites submissions for papers to be given at the following conference, scheduled for Friday the 16th and Saturday the 17th of May 2008:

Long Poems ::: Major Forms

The ‘long poem’ has been traditionally conceived of as the principal means by which poets confront political and aesthetic problems through sustained investigations. Beyond this general outline, or indeed perhaps because of it, there is little consensus as to either what the long poem is, or what it might be uniquely capable of. In ‘The Poetic Principle,’ Edgar Allen Poe went so far as to assert that “a long poem does not exist” since “the ultimate, aggregate, or absolute effect of even the best epic under the sun, is a nullity.” Years later, and seeking to resolve the technical and affective dilemmas that Poe identified, Charles Olson prescribed a ‘projective verse’ that he purported might carry “much larger material than it has carried in our language since the Elizabethans.” He thought Pound’s Cantos exemplified the beginnings of such poetry, displaying a methodology capable of solving “problems of larger content and of larger forms.”

This conference seeks to address the contemporary relevance of the long poem: how has it evolved, what standing does it currently hold, and who are now its readers? As both a poetic and a critical concept, the ‘long poem’ presents poets with the difficulty of articulating what Pound called “a compound of freedom and order” that “hangs between chaos on the one side and mechanics on the other.” We hope this conference will provide a forum for the consideration of ways in which comprehensive, often formally complex and expansive poems may respond, or fail to respond, to certain “obligations toward the difficult whole,” and to explore what these obligations might now entail for both poets and their readers. We therefore welcome proposals for presentations addressing aesthetic, formal, generic, compositional and literary-historical questions the ‘long poem’ brings into particular focus.

*

Papers should be no more than 20 minutes in length, and calibrated towards generating wider
discussion. Please send a 250-word abstract, along with a brief biographical note by 1st March 2008 to thelongpoemconference@sussex.ac.uk. We will send out notifications shortly thereafter.